Has spring arrived where you are? We still seem to be stuck in the doldrums of winter here in Northern England. There was a metaphorical bright spot about a week ago when I learned that my book, Vivien Leigh: An Intimate Portrait, was translated into simplified Chinese and published in China! They’ve apparently changed the title to something like Vivien Leigh: Forever Gone With the Wind (because sure, why not!) and the cover is different as well. But the photos and, I’m assuming, the content remain the same. I quite like the design!
What do you all think?
In other news, the weather is horrible today, a perfect excuse to say in with a cup of tea and a box of Viv and Larry ephemera. Work on digitising and cataloguing the Richard Mangan Laurence Olivier Collection continues apace. I’m currently finishing up with box 7 and have repackaged 11 boxes of material, thanks to the support and generosity of the Viv and Larry Patrons. Some people may find cataloguing archives to be boring and tedious, but I actually really like getting stuck in with this sort of work. It gives me an opportunity to carefully look at and consider each photograph, playbill, etc. Plus, it’s kind of soothing. I do it all the time during my day job. Just stick my headphones in, turn on Spotify, and off I go.
Here are some highlights from Box 5. As of this writing, I’m up to 1947 in Olivier’s stage career and have catalogued 784 individual pieces of ephemera.
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