Category: vivien leigh

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Larry, Vivien and the Rumor Mill

As of late, there has been much debate/discussion on the Vivien Leigh and Laurence Olivier Facebook page regarding Laurence Olivier’s sexual orientation. There have been many rumors about both Larry and Vivien for as long as anyone can remember. Just recently a book called Damn You, Scarlett O’Hara was published that’s overflowing with them. But the main rumor that’s pervaded the scene since Donald Spoto published his biography of Laurence Olivier is that Larry was bisexual. The subject of sex and famous people’s sex lives is the hot ticket, especially in this day and age. I don’t focus on this topic here at vivandlarry.com very often, if at all, but since it keeps popping up elsewhere, and since it was pointed out yesterday that I “have virtually ignored [the subject] in my research as hearsay”, I decided it might be best to just put my two cents here, and simply refer people to it when asked so as not to have to keep repeating myself in long-winded arguments.

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Vivien Leigh and Bipolar Disorder

April 11-17 marks Depression Awareness Week in the UK. The week-long event is organized by the Depression Alliance UK in effort to raise funds for mental health research and provide education in the hopes of reducing the stigma attached to depression and other mental illnesses.

As I’m sure most vivandlarry.com visitors know, Vivien Leigh was a victim of bipolar disorder. Unfortunately, understanding and treatment of major mental illnesses was crude in Vivien’s time. This post is not meant to be a definitive manual on what it’s like living with bipolar disorder. I’m not a psychologist and don’t claim to be any sort of expert. Rather, my goal with this post is to use medical information as well as reports from those close to Vivien to piece something together in hopes of better understanding what Vivien went through. I also hope it sheds light on the  difficulties Laurence Olivier had in coping with Vivien’s illness, which eventually played a large part in the disintegration of their marriage.

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Cinema Experiences: Gone with the Wind

“Now, if there’s anybody who knows how to give a girl a good time, it’s Ashley. Although, I expect our good times must seem terribly silly to you because you’re so serious.”

Yesterday afternoon, I went with a group of classmates/housemates to see Gone with the Wind at the Prince Charles Theatre in Soho. I’ve seen it 5 times on the big screen in a variety of theatres with a variety of audiences. Whether it’s at the historic Bay Theatre in Seal Beach, The magnificent Egyptian in Hollywood, or the small town Strand in Marietta, Georgia, Gone with the Wind always makes for good viewing. But I think yesterday was my favorite experience yet.

The Prince Charles is one of London’s equivalents to an indie theatre. They often do themed sing-alongs to The Sound of Music, Grease and other films, and regularly screen a repertoire of older movies. It’s also a lot cheaper than the major chain theatres like the Odeon in Leicester Square. The popcorn is good (and cheap) and the seats are really comfortable. All of these factors were brownie points for the Prince Charles, but what made the screening so fun was the people I saw it with. Showing my favorite films to a group of other film students can be a bit nervewracking, especially because Gone with the Wind is a film that I’ve loved so much for such a long time, I really want other people to share in the enthusiasm. Most people had already seen it, although not on the big screen, and one person was viewing it for the first time (this person was more or less tricked because she wasn’t aware that the film ran close to four hours. Sorry, Helen!). After it was over I cautiously gauged their reactions, and they all enjoyed it. Huzzah!

The screening in itself was only part of a larger event. Afterward we headed to the Chandos near Trafalgar Square for some drinks and quality film discussion. Topics included Vivien Leigh’s beauty and a short-lived debate about whether she had a mustache in the film (it’s just unfortunate upper lip shadow in some scenes, guys!), how she’s Britain’s national treasure and how Clark Gable was perfect as Rhett Butler. The troupe then moved back to Chinatown for a hearty and delicious meal, good wine and ice cream before calling it a night.

As for my personal experience, I can only say that I loved the film just as much this time as I have every other time I’ve seen it. I even cried at the end, and that’s never happened before. Something about Scarlett’s final monologue was extra poignant this time around. Gone with the Wind continues to impress each time I see it, and I’ve seen it many, many times. It will always hold a special place in my heart.

This is my reaction every time the end credits roll on GWTW.

 

Gone with the Wind: Good film, or the best film?

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Vivien Leigh Faces Her Biggest Fight

In March 1953, Vivien Leigh suffered a total nervous breakdown due to exhaustion in Hollywood while working on the film Elephant Walk. Friends David Niven and Stewart Granger were there to witness the horrific event, and to assist in keeping Vivien safe until doctors could sedate her. Laurence Olivier came directly from Ischia where he was vacationing with the the Williams Waltons to be at Vivien’s side. His flight took three days, and once he arrived Vivien was immediately loaded onto a plane at LAX en route to New York and London. The world press chronicled the event, and years later, Olivier, Granger and Niven all wrote about it in their respective autobiographies. There was another person who also shared her opinion shortly after the event. Vivien’s daughter Suzanne Holman Farrington, then 19, wrote an article for the Sunday Chronicle in which she reflected on her mother’s situation and her own choices as an aspiring actress following in her mother’s footsteps.

Vivien Leigh Faces Her Biggest Fight

by Suzanne Holman
Sunday Chronicle, March 22, 1953

Next Tuesday evening I am going to seek out a quiet corner and, at the age of 19, take stock of my life.

For the misfortune that has come to my mother has made me ask myself this question: “Shall I go on with my dream of becoming a great actress or should I be wiser to take up a career where there may be no triumphs, but where there would certainly be fewer heartaches and tears?”

I must not think of making this vital decision until I have appeared at the Royal Academy of Dramatic Art’s annual performance on Tuesday afternoon.

This is the climax of my two years’ study at the Academy. Although I shall not feel much in the mood for playing my part because of worry about my mother. I cannot quit at this point for the sake of the rest of the cast.

Always More

It was only sheer collapse that has forced my mother to give up–at least for the time being.

She has put tremendous energy into every stage and film role she ever played, and as the years passed she found that more and more calls were made on her services.

She was caught up in time schedules and felt, I know, that she could not stop or even let up for a while.

You can’t relax when you’re on top, as mother was.

In the last six months or so I could see she was living on her nervous energy. While she was as gay and vivacious as ever I could feel that she was driving herself too hard.

On top of this she had a horror of flying. That dates back some 12 years when she was flying with Sir Laurence Olivier from New York to London. The engines of the aircraft caught fire, and the plane had to make an emergency landing near Boston.

Breaking Point

Then came the 72-hour flight from Ceylon to Hollywood to complete the studio scenes on the film Elephant Walk. The ordeal of that flight was the breaking-point.

Now that she is back in London I feel sure that all she needs is a period of complete rest before she makes a complete recovery. Larry, of course, is wonderful.

When she is well again, she, too, may have a big decision to make. Will she take up her career or will she be content to rest on her laurels, as she can well afford to do?

But knowing mother as I do, I am sure she will make a supreme effort to appear in the West End with Sir Laurence in the new Rattigan Play “The Sleeping Prince.”

 ♠ ♣ ♠ ♣ ♠

Vivien Leigh: An Intimate Portrait

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Vivien Leigh on Desert Island Discs

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The BBC recently unveiled their Desert Island Discs archive online. The programme, in which famous personalities name 8 records/songs and a luxury item they’d take with them on a desert island, started in 1942 and is still broadcast today. Vivien Leigh appeared on the programme on September 9, 1952. Unfortunately the audio isn’t available at this time, but it is really interesting to see which songs she chose. I think it reveals she had quite eclectic (aka awesome) yet refined taste in music. I see Vivien and I both share(d) a love for a little Ludwig Van!

Vivien’s picks:

Jean Sibelius — Violin Concerto in D Minor
Oscar StrausMariette Act 2 (I couldn’t find a link, but Straus also composed La Ronde!)
Ludwig van BeethovenSymphony No. 9 in D minor ‘Choral’ – 2nd movement
Ludwig van BeethovenSymphony No. 9 in D minor ‘Choral’ – 4th movement (Ode to Joy)
Danny Kaye Ballin’ the Jack
Maurice RavelDaphnis and Chloe–Daybreak
Laurence Olivier If the Heart of a Man (from The Beggar’s Opera)
William WaltonValse & Tango-Pasodoble (from Façade)

The luxury item Vivien chose was a piano.

If you could choose 8 albums or songs to take on a desert island, which would you choose?