Category: vivien leigh

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New Layout and Top 25

The vivandlarry.com blog has gotten (another) facelift!  I liked this layout because it’s a bit different and has a sort of magazine feel to it…as it should since it’s called magazine.  Feel free to take  a look around; most of the info and everything is the same but there are a couple of new additions.

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Yesterday, I decided to make a new list of my top 25 favorite Laurence Olivier and Vivien Leigh photos.  This may seem redundant as I’ve done favorite lists before, and frankly, there really isn’t a picture of them that I don’t love, but every time I sit down and think about it, my favorites change–especially since new photos of them keep popping up.  It’s always hard to choose a favorite photo, but my favorites usually jump out at me because I find them beautiful, or silly, or a combination of both.  I also love photos in which they look happy together.  So, I hope you enjoy this little photo tribute, and I’d love to know which ones are your favorites!

25 Favorite Larry and Vivien Photos

#25 | Location: Rome | Date: 1953

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Midsummer…

Vivien Leigh as Titania in A Midsummer Night’s Dream

Directed by Tyrone Guthrie for the Old Vic Company, 1937-38 season

Costumes by Oliver Messel

Photos from Vivien Leigh’s performance in the Old Vic production of Midsummer are by far my favorite.  Oliver Messel’s costumes, the make-up, her beauty.  Perfect.  I have more rarities from this production to scan for vivandlarry.com, but I thought I would share one of my favorites here first.

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Rosemary for Remembrance

Vivien Leigh: November 5, 1913-July 7, 1967

Laurence Olivier: May 22, 1907-July 11, 1989

In Memoriam

In the past, I have done the sort of bi-annual birthday/death day tributes to Laurence Olivier and Vivien Leigh in which I talk about what they mean to me, what they accomplished in their lifetimes, and why they are still relevant.  This time, however, I thought I would let those who knew these marvelous and influential people speak for themselves.

Noel Coward, one of Vivien’s closest friends, had seen her through many of the trials and tribulations during her marriage to Larry.  Though he may have been cross with the Oliviers on several occasions for various reasons, he remained a lifelong confidant and close chum to both of them.  This entry is from Noels’ diaries:
July 16, 1967
I can’t even remember the date of the morning Coley came into my suite at the Savoy, suffused with tears, and told me that Vivien had died.  The shock was too violent.  I mind too deeply about this to go on about it very much.  She was a lovely, generous and darling friend, and I shall miss her always.  Apparently Jacko [Marivale] came back from the theatre, saw her sleeping peacefully and went to warm up some soup for himself in the kitchen.  When he came back a few minutes later she was lying on the floor in a welter of blood having had a haemorrhage.  Jacko, with almost incredible courage and tact, cleaned up all the hideous mess because he knew that she would hate anybody, even the doctor, to see her like that. Then he telephoned for the doctor.  Jacko is a good and kind man.  A day or two later he rang me up and asked me to read the address at her memorial service which is, I believe, to be on the twenty-fourth.  I lovingly but very firmly refused.  I truly do not believe I could have done it without breaking down and making a shambles of it.  I know this was cowardly, but I can’t regret it.  The emotional strain would be ghastly, and as I am not feeling any too well at the moment it would possibly cause me great damage.  All my own loved ones agree and I can only hope that they’re right.  If it could have helped Vivien in any way I would have done anything, but it couldn’t because she’s gone for ever.  I loathe and despise the miserable Christian trappings of death.
Shortly after Vivien’s death, Laurence Olivier said to then-friend and secretary, Virginia Fairweather that he was no longer afraid of death because many of his friends were already up there.  He would outlive Vivien Leigh for 22 years before finally succumbing to a muscular disease–one of the many illnesses that had plagued him for years.  “He was a lion,” said colleague Richard Attenborough,”his extraordinary courage allowed him to defeat illnesses which would have killed off the rest of us 20 years ago.”
When Larry passed away, there were outpourings and tributes from every newspaper imaginable.  Perhaps the best tribute was not made in print but in person.  Here is Sir Alec Guinness giving a moving address at Larry’s memorial service, Westminster Abbey, London (tribute starts about 3 minutes in):
Though I never got a chance to meet either Vivien or Larry, their impact on my life has been tremendous.  Through their films I discovered my own love of classic cinema.  They continue to inspire decades after their deaths, and I have no doubt they will keep inspiring people in future generations, such were the legacies they left behind in the entertainment world.
In Hugo Vickers’ biography of Vivien Leigh, there is a passage that describes Vivien’s mother seeking out a medium in effort to make contact with her daughter on the other side.  The medium said that Vivien did make contact, that she was rather drifting in limbo, and that she wanted to let Larry know that if he should go, she’d be waiting for him.  I’m a bit of a skeptic when it comes to the supernatural, but it is a romantic idea that love transcends death.  I like to believe that Vivien and Larry are together again and happy in the great beyond–having one big continuous party at the Notley in the sky.
Here is a tribute video I made a while back.

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The Case for Anna Karenina

When Julien DuVivier’s production of Anna Karenina was released in theatres in 1948  it received less-than-stellar notices, especially concerning its leading lady, Vivien Leigh.  Critics called it a “beautiful failure” and said Vivien failed to portray the depth of Anna’s emotional suffering.  I cannot compare this film to the Garbo version as I have not seen it, but I can compare it to Leo Tolstoy’s novel–having read it–and I personally think Vivien did a wonderful job portraying Anna.

Consider this:

The best part of the novel, and the focus in the film, is Anna’s adulterous love affair with count Vronsky.  Our Vronsky was miscast Irish newcomer Keiron Moore, also known as that drunk guy from Disney’s Darby O’Gill and the Little People.  He apparently didn’t think much of Vivien as an actress or a person, but she clearly out-acted him in this film.  In fact, Martin Stockham, author of The Korda Collection, mentions that Moore’s acting ability was overwhelmed by that of Vivien and co-star Ralph Richardson who played Karenin.  Vivien and Keiron had terrible on-screen chemistry, which is an obstacle in itself that must have been hard to overcome.

Stockham also notes that Vivien had very much wanted Laurence Olivier to play Vronsky, but Larry was unavailable on account of filming Hamlet.

Leigh missed having the strength of Olivier to play opposite her.  She was also finding it difficult to avoid comparing her own personal life with that of Anna in the film, a situation that caused a severe bout of depression during filming.

Whether Vivien’s depression was due to her comparison with the fictional heroine or simply a bipolar mood swing is probably debatable, but Vivien’s real life pathos greatly contributes to her performance as Anna.  Anna is a tragic character; Vivien was a rather tragic person, and it is to her credit as a performer that she played the dramatic and tense scenes in which she goes head to head with Ralph Richardson with subtlety and elegance, where it could have easily been over the top.

Anna Karenina does not feature highly on my list of favorite films, but I do think it’s one of Vivien Leigh’s better roles.  I would recommend it for Vivien’s performance (and Ralph Richardson…and Cecil Beaton’s costumes, which are absolutely heavenly).