Author: Kendra

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TCM Classic Film Festival: Spartacus

Laurence Olivier and Kirk Douglas in Spartacus

As many of you know, Turner Classic Movies hosted its second annual TCM Classic Film Festival a couple weeks ago in Hollywood. They screened two Vivien Leigh and/or Laurence Olivier films: A newly restored print of A Streetcar Named Desire (Elia Kazan, 1951) and Spartacus (Stanley Kubrick, 1960). Unfortunately, I couldn’t be there, but luckily some of you were able to attend and report back on how amazing it was!

Kristen Sales has a BA in Film and Media Studies from the University of California Irvine (which happens to be my alma matter; small world!). She is a big fan of classic films and regularly contributes to FilmFracture and has her own blog, Facbook page and Tumblr dedicated to the wonderful world of film and her own writings on the subject, all titled Sales on Film. Kristen got to sit in on the TCMFF screening of Spartacus, which was introduced by film legend Kirk Douglas and TCM host Robert Osborne. Luckily for us, she was willing to write about the experience for vivandlarry.com! Thanks, Kristen!

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events gone with the wind laurence olivier vivien leigh

Vivien Leigh at Bonhams and the Lost Gone with the Wind Manuscript

Vivien Leigh and Laurence Olivier in 1946

There have been two exciting, recent exhibitions in the US featuring Vivien Leigh. The first was at Bonhams in New York where many of director George Cukor’s personal items were auctioned off. The artifacts had been in the hands of the Estate of Charles Williamson and Tucker Flemming, and included several photos and letters from and related to Vivien Leigh and Laurence Olivier. The Oliviers were lifelong friends with Cukor, and their mutual friendships with the The Philadelphia Story director continued after their divorce. Along with photos and personal letters, the auction also contained and letters from Vivien’s daughter Suzanne to journalist Radie Harris about a book Radie was planning to publish about Vivien in the late 1980s.

The second exhibition is currently ongoing. 4 chapters from Margaret Mitchell’s original Gone with the Wind manuscript (thought to have been destroyed upon the author’s death in 1949) have been recovered and will be on display at the University of Georgia as part of the 75th anniversary celebrations going on throughout the state. Right now, the exhibition is traveling, and vivandlarry.com visitor Meg was able to see it at the Pequot Library in Southport, CT. She was kind enough to snap some photos (as well as the ones from the Bonhams auction) and send them in to the site. Thanks so much, Meg! I wish this exhibit would come to London.

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contests

May Contest: Win a Copy of LIFE Magazine Featuring Vivien Leigh

Vivien Leigh for LIFE magazine

Win a copy of LIFE magazine featuring Vivien Leigh!

Can you believe it’s already May? Me neither, but let’s ring in a new month with a new contest!  One lucky winner will receive a copy of the July 29, 1946 issue of LIFE magazine featuring the lovely Vivien Leigh. The cover photo was taken by famous LIFE photographer Philippe Halsman, who had a very interesting story to tell about his encounter with Vivien during this particular photo call:

“No one who has seen her in Gone with the Wind will be surprised that Vivien Leigh became in my eyes one of the most beautiful women in the world. I was delighted when Life asked me to photograph her for a cover.

I knew that she suffered from t.b., but I was shocked by her pale and fragile appearance when she entered my studio. Vivien asked me whether she should put on some rouge, but I saw a strange attractiveness in her transparent paleness and photographed her as she was.. Her features were exquisite, she was full of gentile charm and friendliness and at the end of the sitting I had the feeling that I was photographing something very unusual: an angel-like star.

The shock came when I developed my photographs. What I saw was not the image of a fragile, delicate angel but that of a tired and sick young woman. I phoned Vivien and told her it had been a terrible mistake on my part to photograph her without makeup and I hoped she would pose for me again. The angel-like voice answered that she understood and that she would come to pose tomorrow.

We used make-up in the second sitting. Vivien posed with more spirit than in the first sitting, and when her pictures were developed and printed I was delighted with the result.

The telephone rang. It was Vivien, who was worried about her pictures and wanted to see them. Whenever I photograph for a magazine my rule is never to show a picture to the sitter before publication. But how could I say no to an angel, who without complaining left her sick bed to pose for me a second time?

I finished my work and took the best prints to the Waldorf Astoria where she and her husband, Laurence Olivier, were staying. Although I knew that on doctors’ orders Vivien spent most of the day in bed, I felt a pang of sadness seeing her pale and emaciated in the huge hotel bed. Fortunately, my pictures showed none of her illness, only her beauty and charm. With a touch of pride I was showing her my prints when I was struck by the change in her expression. Instead of and angel I saw a wounded tigress. “These pictures are terrible,” she said, ‘and I forbid you to show them to the magazine. I know your boss, Mr. Luce, personally; if you disobey me, I will destroy you.”

A knock at the door interrupted her. The hotel waiter appeared with Miss Leigh’s tea and cookies. Where should I put the tray, Miss Leigh?” he asked. With a sweet and melodious voice, Vivien answered, “could you, please, put it on the night table.” The waiter obeyed, looked admiringly at the prostrate angel, deposited the tray and left. When the door closed, Vivien took my beautiful prints and tore them into little pieces. I thought of the hours I had spent in the dark room, mumbled a good-bye and left, feeling completely crushed.

On that same evening, Vivien Leigh’s public relations man called me up. ‘I know that Vivien has torn up your pictures, but she did not tear up the contacts which you left in the envelope. Olivier has seen them and he is crazy about them. By all means, make new prints and submit them to Life.” I followed his advice, and one photograph, showing Vivien with an alluring Mona Lisa-like smile, became a very successful cover.

How to enter:

  • Leave a comment on this post with the answer to the following question: Which photographer do you think took the best photos of Vivien Leigh?
  • As usual, post a link to www.vivandlarry.com on facebook, twitter, tumblr, etc and earn an extra entry. Be sure to let me know where you’ve posted it!

The winner will be chosen at random using the random number generator and notified by email. The contest ends May 31, 2011. Good luck!

photography travel

Destination: Poland

Warsaw Old Town

After a month of paper writing, I really needed a break. Last Friday I hopped on a plane and headed to Poland to visit my friends Kasia and Gosia (Maggie) in Warsaw. You may remember Kasia and Maggie from the 2009 GWTW Re-Premier in Atlanta when TCM’s Robert Osborne, fascinated that they had come from Europe for a Gone with the Wind event, asked them to stand up in front of the entire theatre as a testament to how far-reaching Gone with the Wind still is. We had some crazy adventures on our roadtrip through the South. Who can forget Kasia getting a horrible case of poison ivy during a romp through the famous Bonaventure Cemetery? Or how we drove to Savannah during the torrential downpour of a tropical storm? Or how it was so rainy in Charleston that we were only able to see the wonders of the city through the windows of a coach? It was pretty epic.

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gone with the wind lists

10 Reasons Why Gone with the Wind is Still Awesome

In the 75 years since Margaret Mitchell published her Pulitzer Prize-winning novel, the phenomenon that is Gone with the Wind has never quite died down. In 1939, David O. Selznick turned the most popular novel of its time into the most popular film ever made. It is perhaps the film, more than the book, that keeps the fanfare alive around the world today. Yet, in spite of its popularity, Gone with the Wind has come under fire in recent years from film critics who often cite it as outdated and chide its non-PC depiction of slavery. Even with its faults, Selznick’s Civil War epic has stood the test of time and remains the shining beacon of the Hollywood studio era. Here are 10 reasons why Gone with the Wind is still an awesome film.

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